Krb Music Company
|
Baby Express Train Engine Animated Musical Baby Express Animated Musical Train Engine. This cheery animated music box is sure to put a smile on a child's face as the delightful giraffe moves to the music. Plays the tune "Zip-A-Dee-Doo-Dah." Measures 6" high. From The San Francisco Music Box Company. © Debra Jordan Bryan
CLICK HERE FOR BEST PRICE
Baby Express Carousel Rotating Musical Baby Express Rotating Musical Carousel. This delightful carousel will gently soothe baby to sleep. As the music box plays "Mozart's Lullaby," the carousel slowly revolves. Measures 9 5/8" high. From San Francisco Music Box Company. © Debra Jordan Bryan
CLICK HERE FOR BEST PRICE
|
|
|
|
|
White-Smith Music Publishing Company v. Apollo Company - White-Smith Music Publishing Company v. Apollo Company was a decision by the Supreme Court of the United States which ruled that manufacturers of music rolls for player pianos did not have to pay royalties to the composers.
Eleven: A Music Company - Eleven: A Music Company is an Australian music label. The company was founded on November 11, 2000 at 11:11 AM by John Watson.
Stamps-Baxter Music Company - The Stamps-Baxter Music Company was an influential southern music publishing company in the shape note gospel field.
Earwig Music Company - Earwig Music Company also known as Earwig Records is an independent blues music record label in Chicago, Illinois. Michael Robert Frank, its founder, President and CEO, started Earwig Records in 1978.
krbmusiccompany
Sam Phillips in Memphis had recorded white country and black R&B singers in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world. Other owners had little appreciation for the music but were street-smart entrepreneurs. Sam Phillips in Memphis had recorded white country and black R&B singers in the mid-1940s, risked his last dollar to create Dial Records because he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Sometimes these men were visionaries. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. These companies, run on shoestring budgets, were on the tide of social
